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Paul Daniel conducts a strong lyrical performance, finding the secret of Poulenc’s delicate and always apposite orchestration. As Blanche, the novice whose nerve fails her, Catrin Wyn-Davies sings movingly throughout; her scene with Sarah Tynan’s adorable sister Constance is a touching highlight. Felicity Palmer’s powerful Old Prioress sends a chill down the spine, and Josephine Barstow gives a riveting portrayal of Mother Marie.

The studio recording is clear and well up to this label’s high standards. Magix audio cleaning lab free download for mac. Just as the guillotined nuns derived collective strength from their shared suffering, so the individual qualities of a fine cast combine to create a truly powerful performance of Poulenc’s post-war psychological masterpiece. The characters, singing in English, range from felicity palmer’s ageing contralto Prioress howling at the horrors of a slow bed-ridden death to Sarah Tynan’s high soprano novice gleefully embracing the quick oblivion of the blade. Catrin Wyn-Davies’s Blanche tries occasionally but we feel her torment.

Daniel conducts an incisive band, while the chorus sings a haunting Ave Verum. There is a frission between the often statuesque music from the orchestra and the urgency – and musicality – with which Catrin Wyn-Davies’s Blanche and Josephine Barstow’s Mother Marie, in particular, articulate their lines as they face their tragic fate. The Old Prioress’s ‘bad death’ is vividly enacted by Felicity Palmer while, at the other end of the scale Sister Constance’s youthful innocence is tellingly portrayed by Sarah Tynan. The English text comes through with particular clarity, even across an orchestra that seems truly energised by Daniel’s conducting.

Not that the ENO Orchestra needs flattering: the playing is exceptionally responsive to everything demanded of it by Poulenc, and the warm sound devised by Chandos’ Brian and Ralph Couzens emphasizes the similar warmth felt by the composer for his characters. He loved them for their strengths and for their frailties, and Paul Daniel, in what was surely on of his best undertakings at ENO, loves and understands them too. The moments of violence and pain are there, but this reading as a whole is one of lyricism, tenderness and compassion. Help with autocad 2015 mac tutorial.