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Macv insignia. Carte de visite of Aunt Sarah Mac, c. 1851 You did not want to get on the wrong side of Sarah McFarland (or McFarlin). She had a biting wit which she often delivered, on the spot, in rhyme. Despite her occasional caustic outbursts, however, she was a respected and much loved member of the community. The memory of both her poems and good deeds far outlived her – making her a Duxbury icon for generations. Aunt Sarah Mac, as she was widely known, was born in 1739 to William McFarland and Sarah Peterson. She received a public school education, such that is was for girls of the time, and proceeded to become a teacher herself. She remained unmarried and occupied a small house in the Millbrook area of town (near the corner Tremont and Alden Streets).
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As an older woman she was recognizable to all by her red cloak and black bonnet. To supplement her meagre income, she sold eggs, berries and milk from her cow, Blossom. She also often helped neighbors with the housekeeping and child care. In 1829 poverty forced her into the Alms House where she later died in 1831, at the age of 91. She must have been exceptionally adept at the English language because she boasted that she could “answer every question put to her in rhyme.”[1] Anecdotes of her life and her poetry were resurrected in 1851 in Sarah Macs Budget, a newspaper issued as a vehicle to raise money for a monument to Rev. John Allyn, the town’s former minister. Its six pages, edited by Mrs.
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Ann Porter, the wife of Duxbury’s town doctor, John Porter, contained Sarah’s writing as well as reminiscences from those who still recalled her. The Drew Archival Library has copies of the paper as well as Sarah’s original compositions in her own hand. Page of Sarah Mcfarland’s poetry, c. 1824 The following are a few examples of her poems: When she was caught picking cranberries on private property she responded: I am on old woman, seventy-one, Cranberry law has just begun – Men make laws but I don’t mind ’em I pick cranberries where I find ’em When asked to live with a married man who had separated from his wife, she retorted: To tell you the truth, I’m not like Ruth Who’s gone to live with Sam Darling If you expect to have me, disappointed you’ll be, As long as I’m Sarah Macfarlin. For be it known, I’d rather live alone All the days of my life, Than to have a man, if I know that I can Who has got another wife You’ve had a virtuous bride and you’ve set her aside And I think you’re a simple man – But since it is so, it is best you should know, You may get another if you can. Her poetry also recognized deeper social issues, such as progress and the role of women. After visiting the new woolen factory in Duxbury she composed the following: On the First Factory in the Town of Duxbury And the only one I shall ever see King Solomon says there was no new thing done, Not in his day under the sun; But if he was to come here, and take a full view.